Orcas Island, WA
“I have been scared that the world is falling apart since I was a small child.
Unfortunately or fortunately, I have lived at a time of great affluence and opportunity for white people, and I have benefited greatly. However, I came of age at a time in Texas as LBJ’s prediction that the Democratic Party in the South would be destroyed by the civil rights legislation he enacted came true. And slowly, it was destroyed. I found myself in Texas, fighting to preserve and save neighborhoods. Fighting to have adequate regulations and restrictions, so that the wonderful things about Austin, Dallas, or Liberty Hill would be saved and preserved. I was continually defeated by growth pressures that were scary to me. I saw the Tea Party develop. I heard Reagan’s call to attack the administrative state. The accusations that people like me were a part of some deep state. And it made no sense to me. Women’s rights were terribly important to me, and yet they’ve been trampled.
I fled Texas in 2007 to come up to Washington State, to this island. I was a refugee. And what turned me on about the island was the fact that the colors were brilliant. The softer light made by the latitude gave the colors and light a whole different sense than the way it was in Texas. And I immediately dove into wanting to save it permanently; what I was experiencing and seeing in on Orcas. It was my defiant way. Still being a historic preservationist and neighborhood conservationist. And so full throttle, that’s what I’ve done. It has taken me a long time to fully understand what it was that I was doing. But I was going to ground. And over time, political forces in the United States seem to be hell-bent on replicating what I experienced in Texas.
I’ve become ever more fearful, and ever more determined to paint and create and capture what is here on Orcas that I have loved so much.”
It dawned on me that this is unlike the other pieces I’ve done that are about preserving what I’m experiencing here, and saving it.
These pieces were about my childhood and knowing that practically every kid in the first grade had daddies who had medals too. They’d all come back from WWII, and they all had their medals. My dad had his and they were precious to me. Those medals.
They’re about how, by this point, we were no longer believing in heroes in this country. But, I knew that there were heroes. I know that there are heroes.
I wanted to start giving out medals again. I adored Audie Murphy when I was a little kid. Oh, he was so good looking. He was this highly courageous metal guy that came back from WWII and became a movie star. Anyway, I wanted medals. And so then when I started generating medals, that particular medal there is about what I was watching happen in the United States, and how scared I was.
“Off we all go, like we’ve got good sense…”